The bicentenary of Mozart’s death (and his Requiem) has inspired the American pianist and Mozart scholar Robert D. Levin to pursue a scrupulous completion in the spirit of the composer. By imitating the character, texture, voice leading and structure of Mozart’s music – with his surviving sketches and a newly composed “Amen” fugue in Mozartian style –, Levin aims to fulfill as close as possible Mozart’s ambition.