In these pieces, each voice is limited to a specific two-octave range. As in other pieces of this period, Cage tries to maintain extreme distance between repetitions of tones. Once all twenty-five notes have appeared, another presentation begins, and so on, throughout the piece. On the title page of the score is written: "Carmel, March 7, 1934"; at the end: "April 5, 1934". In the 1958 revision, the instrumentation for the final part was entitled "Six short inventions". This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.