With Ever Joyful Hearts

This substantial work pays homage to Moravian heritage and covers the full gamut of emotions and styles. Opening with the simple sound of chimes, the work begins to develop as the brass section interjects magical fanfares. Woodwind flourishes abound throughout the work, which also includes plenty of expressive and lyrical opportunities. The magical ending unites all themes and leaves the audience with the impression of a huge cathedral organ. Impressive! This work is loosely based on two popular compositions with a rich Moravian heritage: Nun Danket and Hosanna. The title With Ever Joyful Hearts is a line from the hymn Nun Danket (Now Thank We All Our God). The tune Nun Danket first appeared in Johann Cruger's Praxis pietatis melica of 1647. Christian Gregor (1723-1801), known as the Father of Moravian Hymnody, arranged it in a simplified setting for his Choralbuch of 1784, where it appeared as Tune 146A. Also used in this composition is material from an anthem entitled Hosanna by Edward William Leinbach (1823-1901), a Moravian composer born in Salem, North Carolina.