These three pieces can serve perfectly well as a suite of sonatas - a coherent but varied whole - although in their original form they are unrelated. The adaptations have been kept to a minimum, so that the true Bach is still abundantly present in the music. Contains: Prelude XXII from The Well-Tempered Clavier Adagio (originally from the Sonata for violin and obbligato harpsichord in B minor, BWV 1014) Allegro from the Sonata for viola da gamba and harpsichord BWV 1028.