Parade of the Gladiators

As professional fighters, the Roman gladiators were often prisoners and slaves trained to entertain the public by engaging in mortal combat with another person or a wild animal in the ancient Roman arena. These warriors would enter the arena in a colorful parade (also known as the pompa) accompanied by jugglers, acrobats, and other performers, all of which kept time to marching music provided by musicians playing a variety of instruments. This rousing parade processional paints a vivid picture of the pompa and the unbridled festiveness thereof. The music features an aggressive opening statement, a tender middle section, and a climactic ending that embodies all aspects of the event, from the maniacal excitement of the spectators to the uncertain future of the courageous, wayward warriors.

The work should be played with pomp and showmanship, but not too fast. A marchlike bounce will add energy and character. Dynamics are strategically placed throughout to help enhance the performance. Measures 26-44 may be placed smoothly for style contrast, but eighth notes should still bounce. At measure 44, accents in lower voices should be stressed. The p at measure 50, if performed effectively, will give the performance a special musical quality as the molto ritardando ending is approached.