Dating back over 1,000 years, the haunting, modal melody of "O Come, O Come, Emmanuel" is based on one of the earliest forms of sacred music known – the chant or plainsong.
The glory and mystery of this beautiful tune are captured in this very special 2-part arrangement by Teresa Jennings. This piece is ideal for a young choir, but it also lets large, more experienced choirs sound amazing. The several provided tracks include full and accompaniment versions of the piece. There are also special rehearsal tracks that isolate the two parts.